“At Seventeen”
| Ian soared to new heights in the 1970s with her trio of masterpiece albums: Stars, Between the Lines, and Aftertones. Stars included the hit song “Jesse”, which Roberta Flack made a pop standard. Between The Lines propelled Ian to superstardom with “At Seventeen”. The single sold more than a million copies, and Ian was nominated for a then-unprecedented five Grammy awards, winning two (including Best Pop Vocal Performance, Female). Aftertones proved to be one of the most critically acclaimed albums of its day, garnering Ian her first Japanese hit, “Love Is Blind”, which stayed at #1 for an astonishing six months. |
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“At Seventeen” was a spot on description of the pain of loneliness and (dare I say it) ugliness, of not having dates on a Saturday evening, and of being marginalised simply one did not conform to society’s standards of beauty. And because it was written and sung by a woman, it was assumed such pain was unique to the plain girls of her generation and all following generations, too. But such pain is not felt by females only, but believe it or not, by males, too. Just as good-looking boys will not cast a second look at plain Janes, likewise pretty girls do not wish to go out with plain Joes. Does it still happen today?
Take a look at the lyrics and tell me if it doesn’t aptly describe the pain and loneliness of not being good-looking as defined by society.
| At Seventeen (Janis Ian) I learned the truth at seventeen
A brown eyed girl in hand-me-downs
To those of us who knew the pain
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